No other tracks should be set to this output.Ĭonnect output 3 of the interface to the reamp box with a TRS to XLR-M cable. Once you have the clean DI recorded, set the track’s output to analog out 3 of your interface (you will need an interface with more than just monitor outputs). Hearing your guitar rig play itself can take some getting used to! Without the reamp box there will be an impedance mismatch and loss of tone. The goal of the reamp box is to make the amplifier react in exactly the same way a live guitar would, but with a pre-recorded audio source. A reamp box converts a low impedance, balanced line level signal to high impedance, unbalanced instrument level signal. A DI box converts a high impedance, unbalanced instrument level signal to a low impedance, balanced mic level signal. It’s often said that a reamp box is just passive DI box in reverse, which is untrue. A reamp box takes clean direct guitar or bass signal and runs it into a guitar amp if needed later on in the production process. Reamping is a technique used by recording and mixing engineers to process recorded audio with analog hardware, specifically guitar equipment. I now use it everyday and I wish I hadn't Put off buying it for so long.This article is provided by Audio Geek Zine. This makes for a much cleaner signal and when testing in real time and doing an a/b test of the guitar coming the amp directly versus it going through the computer and the re amp box I found it arguably similar. I think this is mainly due to not needing to attenuate the output level from my I/o from within the software. It sounds much better than my old method of doing the same job. I wanted the most basic model so that the signal path is simplest and I have plenty of di boxes etc. I've marked it as "okay" for features as it doesn't really have much to play with but that's kind of the point. It's tough, lightweight and I can't ever seeing it getting damaged. The radial firstly struck me as being really well build.
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It became obvious that a dedicated reamp box was going to save me a lot of hassle and I could actually have it permanently wired into my pro tools rig rather than building something that just did the job out of attenuators and do boxes etc. However, in the last 18 months I've found myself doing more mixing of stuff that other people recorded and when the cab signals don't cut it in the mix If be reaching for that old faithful. It was "alright" and not something I used to do a lot of.
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Re-amping was something I'd always "got round" before by using various passive devices in line to achieve the same ultimate goal. Suitable for "re-amping" all instruments:
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The Radial ProRMP - cost-effective, professional re-amping for every studio! Features
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A non-slip full base coating ensures a secure hold and avoids electrical contact points which could lead to ground Loops when touching parts of guitar amplifier housings. Surrounded by a 2mm steel plate, the unique "book support" design with a welded double T-beam construction ensures that the ProRMP is protected against damage and the board and the soldering points are not subjected to any loads, which significantly increases the reliability. Like all radial products, the ProRMP is extremely sturdy.
The secret of the outstanding ProRMP sound is a specially crafted transformer, which matches the balanced, low-impedance signal source for the connection to the high-impedance input of your amplifier and at the same time serves as a mass splitter, which prevents rumble and other noise in the signal caused by mass loops. The ProRMP Re-Amplifier is extremely easy to use - it is connected between the recording device and your amplifier or effects device and automatically adjusts the impedance. The Radial ProRMP is a fully passive Re-Amplifier that allows you to re-record a previously recorded track through a guitar amp or an effect pedal to create new and exciting sounds. The re-amping technique has always been the "secret weapon" of numerous recordings of the greatest names in the music business and is often used to give a new sound to guitar, bass, keyboard and even vocal recordings.
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